1,297 Free Artworks of Lithograph With Hand Coloring

the aboriginal portfolio lithographs in the smithsonian american art museum hand-colored lithograph on paper smithsonian american art museum james otto lewis metropolitan museum of art hand-colored lithograph ojibwa people prints in the metropolitan museum of art ho-chunk

Attack by the English on Buenos Aires, 1807

files provided by the museo del bicentenario buenos aires in art

The Gamblers, Pop Hart, 1924

prints in the metropolitan museum of art pop hart

PPN787617350 Hamburgs Vergangenheit in bildlichen Darstellungen Hamburg von der Seite des Dammthors im Jahre 1700 (1965)

historical views of hamburg in the staatsbibliothek hamburg lithographs in the staatsbibliothek hamburg

Johann Kempen von Fichtenstamm Litho, Josef Kriehuber, 1851

1851 portrait lithographs of men johann kempen von fichtenstamm

Cockfight, Santo Domingo, Pop Hart, 1923

irene lewisohn bequest pop hart

The Horse Guards &c. from St. James s Park, Thomas Shotter Boys, 1842

prints in the metropolitan museum of art thomas shotter boys

A Mid-day Halt on the Rio Trombutos, Brazil, George Catlin, ca. 1855-1860

lithographs by george catlin realism

KEE-ME-ONE or Rain; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-SCHICK-EE; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WADT-HE-DOO-KAANA; Chief of the Winnebagoes, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Tah-Ro-Hon, An Ioway Warrior, Alfred Hoffy, 1838

lithographs in the national gallery of art (washington, d.c.)alfred hoffy

MAUCK-COOMAUN; A Celebrated Ioway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Keokuk, Chief of the Sacs and Foxes, Alfred Hoffy, 1838

lithographs in the national gallery of art (washington, d.c.)alfred hoffy

NA-SHE-MUNG-GA, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

AT-TE-CONSE or the Young Rein Deer; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

FRANCIS GODFROY; A Celebrated Chief Among the Miamis, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KE-WA-DIN or the North Wind; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CHAT-O-MIS-SEE; Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KER-O-MENEE; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHOUNK-CHUNK the Black Wolf; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHE-SHEBA or The Little Duck; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

RICHARDVILLE; The Head Chief of the Miami Tribe of the Indians, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MISH-SHA-QUAT or the Clear Sky; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-TOP-E-NOT or the Eagle’s Bed; A Fox Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PEN-NOW-WE-TA; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-EM-BOESH-KAA; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MEN-DOW-MIN or The Corn; A Chippewa Dwarf, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BA-SHAW; A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WEESH-CUB or the Sweet; A Noted Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MO-WAN-ZA or The Little Wolf; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SUN-A-GET or Hard Times; A Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-O-TUCK-KEE; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

JACK-O-PA or the Six; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

James McNeill Whistler, William Nicholson

prints in the aberdeen archives, gallery and museums collection william newzam prior nicholson

"Sir, I offer you my respects and my daughter" from Metamorphoses of the Day, Jean Ignace Isidore Gérard Grandville, 1829

prints in the metropolitan museum of art symbolism

Rufous-breasted Bamboo Partridge (Bambusicola Hyperythra), John Gould

lithographs in the national gallery of art (washington, d.c.)lithographs by john gould and william matthew hart

Fear, Louis-Léopold Boilly, 1825

lithographs in the metropolitan museum of art prints by louis-léopold boilly

The Beggars, Louis-Léopold Boilly, 1823

lithographs in the metropolitan museum of art prints by louis-léopold boilly

The Little Beggar, Louis-Léopold Boilly, 1826

lithographs in the metropolitan museum of art prints by louis-léopold boilly

Bird of Paradise (Paradisea apoda), William Matthew Hart, published 1875-1888

lithographs in the national gallery of art (washington, d.c.)lithographs by john gould and william matthew hart

New York Bay- from the telegraph station LCCN2002710663, Nathaniel Currier, between 1835 and 1856

lithographs of staten island, new york city new york harbor in art

Cincinnati in 1840 by John Caspar Wild, John Caspar Wild

cincinnati in the 1840s john caspar wild

Nebel Voyage 17 Zacatecas, Carl Nebel, published 1836

voyage pittoresque et archéologique dans la partie la plus intéressante du mexique plazas in zacatecas, zacatecas

Drury Lane Rags, James McNeill Whistler, 1888

prints by james mcneill whistler in the national gallery of art (washington, d.c.)aestheticism

Dup..., 1832

lithographs by honoré daumier caricatures of andré dupin

Mazeppa - pl. 3 LCCN2017660409, Nathaniel Currier, 1846

currier and ives ride of mazeppa

Prison Sketches. Comprising portraits of the Cabul prisoners, and other subjects, Lowes Cato Dickinson, 1843

prison sketches. comprising portraits of the cabul prisoners, and other subjects hand-colored lithographs in the british museum

WAA-NA-TAA or the Foremost in Battle; Chief of the Sioux Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAA-TAA-KE MUNG-GA or the Speckle’d Loon, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NAH-SHAW-A-GAA The White Dog’s Son, Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TOO-SHA-NA-GAN-KA or The Little Otter; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-KAUN-SEE-KAA or the Rattle Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MA-CHE-KA-KAT or the Bad Hawk; A Monomonie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TSHU-GU-GA; A Celebrated Chief half Winnebago and half French, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KITCH-EE-I-AA-BA or the Big Buck; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAW-TAA-WAA-BE-TA or the Snagle’d Tooth; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MA-KO-ME-TA or the Bear’s Oil; A Monomonie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CUT-TAA-TAS-TIA; A Celebrated Chief of the Fox Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BIN-DE-BA or the White Headed Eagle; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

the aboriginal portfolio ojibwa people

SHING-GAA-BA-W’OSIN or the Figure’s Stone; Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-PA-LAA or the Playing Fox; Prince of the Fox Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑WAN-ICH-KOH or the Little Elk; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

ASH-E-TAA-NA-QUET; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Winnebago Woman; Wife of O’-CHECK-KA or Four Legs, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

In the Woods, Émile Bernard, 1890

pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolism lithographs in the national gallery of art (washington, d.c.)

General View of the Interior (from Recollections of the Great Exhibition), John Absolon, 1 September 1851

lloyd brothers & co.day & son

General View of the Interior (from Recollections of the Great Exhibition), John Absolon, 1 September 1851

lloyd brothers & co.day & son

Alpine Scene, Henri Boug d'Orschwiller

prints in the metropolitan museum of art henri boug d'orschwiller

The Favorite Cat, Nathaniel Currier, 1838–46

prints in the metropolitan museum of art nathaniel currier

The Favorite Cat, Nathaniel Currier, 1838–46

prints in the metropolitan museum of art nathaniel currier

Her Royal Highness the Princess Alice., Richard James Lane, between 1857 and 1858

hand-colored lithographs in the british museum princess alice of the united kingdom in 1857

Independence Seaport Museum 060, William H. Rease

independence seaport museum floating drydocks

Payta Kootha, a Shawnee Warrior, Albert Newsam, 1836

lithographs in the national gallery of art (washington, d.c.)albert newsam

Bloomington, Iowa - painted and litho. by J.C. Wild. LCCN2012647666, John Caspar Wild, 1844

historical images of muscatine, iowa lithographs of landscapes

Market Place Santo Domingo, Pop Hart, 1924

prints in the metropolitan museum of art pop hart

The Jester - The Salon of 1868, Edward Ancourt, 10 May 1868

the elisha whittelsey collection edward ancourt

"And in this suit for seperation, gentlemen, observe two things" from Metamorphoses of the Day, Jean Ignace Isidore Gérard Grandville, 1829

prints in the metropolitan museum of art symbolism

NABU-NAA-KEE-SHICK or The One Side of the Sky, A Chippewa Chief, from The Aboriginal Portfolio - SAAM - 1973.167.20, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Politics in an Oyster House, Michele Fanoli, 1851

lithographs in the national gallery of art (washington, d.c.)michel fanoli

O’-CHECK-KA or Four Legs; Head Chief of the Winnebagoes of Winnebago Lake Michigan, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑CHE-NA-SHINK-KAD or the Man that Stands and Strikes; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑HYA-WA-NIM-CE-KEE or the Yellow Thunder; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KAA-NUN-DER-WAAGUINSE-ZOO or the Berry Picker; A Famous Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

The Bone Player, William Sidney Mount, 1857

the bone player by william sidney mount hudson river school

The Bone Player, William Sidney Mount, 1857

the bone player by william sidney mount hudson river school

Water Hunting for Deer, a Night Scene on the River Susquehanna Penn., from the series "Colt Revolver and Rifle", George Catlin, ca. 1855-1860

lithographs by george catlin realism

PPN787617350 Hamburgs Vergangenheit in bildlichen Darstellungen Das Dammthor in Hamburg, von der Stadtseite, 1800 (1965)

historical views of hamburg in the staatsbibliothek hamburg lithographs in the staatsbibliothek hamburg

PPN787617350 Hamburgs Vergangenheit in bildlichen Darstellungen Ecke des neuen und alten Jungfernstiegs und der Binnen (1965)

historical views of hamburg in the staatsbibliothek hamburg lithographs in the staatsbibliothek hamburg

PPN787617350 Hamburgs Vergangenheit in bildlichen Darstellungen Die Lombardsbrücke in Hamburg, mit dem Walle und (1965)

historical views of hamburg in the staatsbibliothek hamburg lithographs in the staatsbibliothek hamburg

Fox-Hunting Sketches: No. 11. Sporting Parson - "Well! I'm d---, b-b-blest (I mean), if the cunning beggar has't run to ground in My Own churchyard!", Hablot Knight Browne

lithograph prints in the yale center for british art hablot knight browne

Polichinelle, Édouard Manet, English: 1874

prints by édouard manet in the bibliothèque nationale de france impressionism

Piedmontese Shepherdess from the Aosta Valley, Hippolyte Lecomte, 1818

hand-colored lithographs in the british museum lithographs of women

George Washington, Léon Cogniet, circa 1850

works by léon cogniet romanticism

Les Musards de la Rue du Coq (Dawdlers of the Rue du Coq), Jean François Bozio, 1805

pierre nolasque bergeret jean-françois bosio

Les Musards de la Rue du Coq (Dawdlers of the Rue du Coq), Jean François Bozio, 1805

pierre nolasque bergeret jean-françois bosio

The Farm-Yard in Winter, George Henry Durrie, 1861

lithographs in the national gallery of art (washington, d.c.) from the united states prints after george henry durrie

Evening scene, encampment at Maurea on the banks of the Waikato River, 1847, George French Angas

collections of the national library of australia works by george french angas

Girl in a Corset, Lovis Corinth, 1895

lithographs in the national gallery of art (washington, d.c.)expressionism,impressionism

Politics in an Oyster House Dedicated To H.B. Latrobe Esq., Michele Fanoli, 1857

works after richard caton woodville michel fanoli

Tour de Remy, Dieppe, Thomas Shotter Boys, 1839

prints in the metropolitan museum of art thomas shotter boys

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